If you ever edited with Photoshop, you know there is not one and only one way to do the edits. You can go from the most complex and obscure to something very mundane and easy. PhLearn.com is an amazing source of photoshop tutorials. I just finished viewing all my backlog and instead of creating one post per tutorial I will today group them in one post.
New venture: Zack Arias just launched a new website called DEDPXL. They have Q&A, news, Assignments, Critiques. I thank Celine for showing me Zack’s world through Photography Q&A
Hit-Girl: Great idea from Kaija Straumanisshowcased on PetaPixel. I love the creative use of composites and don’t think I could have thought about this on my own. Brillant.
Magic: FStoppers gave us the secret of the levitation effect. *Mind blown*
If you have seen my Marseille post, you may have noticed the picture below.
A building in Marseille
This is an easy effect I have seen being used more and more recently. I will try to show you how to achieve it. I believe it creates an ethereal look and works very well when dealing with some king of pattern. Feel free to download the picture and try it for yourself.
Original file
1. Straighten (optional): depending on the direction you want to give, you may need to straighten up first. I wanted to give a 90 degrees angle here so I had to straighten the window frames. To do this open in Photoshop, duplicate the layer, select the ruler tool either by picking it up in the Eyedropper tool group or clicking Shift+I until you get it. I did put my starting point at a window corner near the bottom and the end at an upward corner on the same column. The longer the distance, the more accurate you will be. Once done, go to Image -> Image Rotation -> Arbitrary. It will display the angle calculated. Just validate. Use the cropping tool on the result.
Just before the cropping
2. Selection: Use the rectangular Marquee tool (M) and select the zone you want to apply the effect to. I selected a zone that is about 1/3 of the picture and in the center. As I may want to redo this step in the future I will create a new layer with the selection. With the selection still active go to Layer->New Layer->Layer via Copy.
The new layer from Step 2
3. Motion blur: Duplicate the newly created layer and with the Magic Wand Tool select the empty space at the bottom by clicking anywhere in the empty space. With the Shift key pushed do the same thing on the top part. Then go to Select->Inverse to get your original Marquee tool selection. With the selection active go to Filter->Blur->Motion Blur. A box like the one below should appear.
Step 3 Options
Angle will give you the direction of the movement. Below are 3 different angles
0 degrees. Only the distance is a factor here.
45 degrees
Minus 45 degrees. See how the direction is opposite to the 45 one
As I want a downward direction here, I will use -90 degrees. Distance will impact the force of the effect. The lower the distance is , the more you keep the forms.
Distance 100
Distance 300
Distance 600
I used the -90 / 600 px setting. As I want to also have this effect upward I do another copy and apply the effect with 90 degrees and still 600 distance.
Move the layers up and down to your liking. You should get something like this.
Result of step 3
4. Overlap : You can see that were the layer overlap you have some transition issues. To fix this I used a Polygonal Lasso (L) selection as follow
Step 4 Selection
I select the upward layer and a use the Erase tool (E) on it. Once done I do the same with the downward layer.
Step 4 Result
5. Integration: The last step is to integrate your motion blur with the rest of the picture and do the adjustments you wish.
Here’s a creative use by someone way better than me:
Say it ain’t so: I put yesterday a feed on PhotoStealers and am saddened to see that they have post everyday to report blatant theft and usually poor answers/explanations from the “alleged” thief.
As mentioned in “What is a photographer?” and again in “Fiat Lux“, a photograph is a succession of steps.
Once your camera caught the scene the next step is to deliver it to your public, but before you do that you need to answer the question that haunts a lot of photographers: Should I edit this picture or post it “as shot”?
For some people, to not edit their shot is a credo: the shot is over as soon as you push your shutter. For others the push of the shutter button is just one of the many steps towards their final picture. For me editing is a way to bridge the gap to my ideal shot.
Below is a before (left) / after (right) shot I edited recently using Adobe Lightroom 4. I played with the colors and tones a bit in order to get a picture more vivid. Don’t you think the right one looks better? (for a look at the final result just click)
Some photographer have more restrictions than others. If you’re a photojournalist you will not be allowed to amend details that alter the meaning of the picture. It means that cropping might be allowed, contrasts and tones amended but you won’t be allowed to remove or add anything from your picture. I suggest you have a look at this article on Gizmodo to see how pictures were edited in the past.
Recently, I went with Celine on another roadtrip and our starting point was Las Vegas. We have been there several times but never really thought of capturing the Welcome sign. Unfortunately for us we just remembered it on our way to the airport, during our final day. If I were to be a purist, I might end up with the shot below.
I didn’t like much all the cables or some of the buildings but it’s not as if I could just go an bulldoze the buildings or cut the cables down. The sky was also pretty uniform as the sun was high in the sky. With Lightroom and Photoshop I was able to get the result below, with more textures in the sky and a dreamy effect, closer to what I’d like my shot to be.
Editing is for me one more tool, a way to get more control on the final result but like a super power it must be used responsibly. One of my proudest edit is a very subtle one. People liked the shot below, but very few people know that it was one of my first edit (to see the original version just click the image).
The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely. Carrie Mae Weems